'She interrogates the material with real flair, but her integrity and inner spirit keeps her work very alive, living, penetrating, and theatrical. A superbly textured voice with a wonderful rich core throughout her range, supported by a sure technique.' - Keith Warner
Rosalind read English Literature at Magdalene College Cambridge, before completing her vocal masters at the Royal College of Music in London. She then went on to study at the Alexander Gibson Opera School at the Royal Conservatoire of Scotland, in Glasgow. She was a 2023/24 Young Artist at the National Opera Studio in London.
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Rosalind has worked with with Garsington Opera, Opera North, and the Royal Ballet and Opera, where she covered the role of Mette for Antony Turnage’s Festen in 2025. Also in 2025 she appeared as Lena in Bampton Classical Opera’s production of La Locandiera.
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Other operatic roles include: Tytania (A Midsummer Night’s Dream), Controller (Flight), Laoula (L’Etoile), Miss Wordsworth (Albert Herring), Gretel/Dew Fairy (Hansel and Gretel), Belinda (Dido and Aeneas), Sophie (Werther), Norina (Don Pasquale) Cunegonde (Candide), Despina (Cosi fan Tutte) and Zerbinetta (Ariadne auf Naxos).
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Rosalind is also an experienced oratorio singer and recitalist, performing at venues including St Martin in the fields, St John Smith Sloane Square, Cadogan Hall, Wigmore Hall, the Sheldonian Oxford and The Carnegie Hall. She has sung works including The John Passion, Bach Magnificat, Haydn’s Creation, Mozart Mass in C Minor and Haydn’s Nelson Mass.
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As well as singing the standard repertoire, Rosalind also loves and specialises in contemporary music. She has a long-standing relationship with the Tete-a-Tete Opera festival in London, creating roles for them in collaboration with composers; Lady of the Lake (Arthur, Hans Vercauteren), Soprano (A Guide to the Lakes, Hans Vercauteren and Lente Verelst), Arianna (The Burning Question, Ed Lambert) and Leading Lady (Buster’s Trip, Ed Lambert). Rosalind has also performed contemporary works including Stimmung (Stockhausen), Cantata (Birtwistle), King Harald’s Saga (Judith Weir) and The Monstrous Child (Gavin Higgins). Rosalind was also selected for a Britten Pears Residency, workshopping a new opera by Ben Lunn. Rosalind has performed a number of works for composer Nino Russell, and most recently has completed the libretto of his newest work, a one-act opera called Medusa. Most recently Rosalind sang in a workshop with internationally-acclaimed soprano Lucy Shelton. This season she is also developing a new opera cabaret in collaboration with Indyana Schneider in Sydney, funded by Create NSW.
Rosalind was the 2021 winner of the Ye Cronies Opera Award, and has also received other prizes including the Sybil Tutton Opera Award, the Royal College of Music ‘Rising Star Award’ and grants from the Countess of Munster Musical Trust and Kathleen Trust. She is generously sponsored by the Carne Trust and Help Musicians UK.